CALIFORNIA: The first wave of big new movies released since the beginning of the pandemic, including Christopher Nolan’s mind-bending thriller “Tenet” and the long-delayed “X-Men” spinoff “The New Mutants,” arrived in theatres over the weekend, testing the waters of a radically different theatrical landscape.
Warner Bros.’ “Tenet” — the most hotly anticipated movie of the year and the one that has repeatedly positioned itself to lead the return of multiplex moviegoing — opened with an estimated $53 million overseas in 41 markets, including most of Europe, South Korea, and Canada.
Given the circumstances, it was difficult to forecast the performance of the $200 million “Tenet,” starring John David Washington Robert Pattinson and Elizabeth Debicki.
But the result exceeded the expectations of most. Toby Emmerich, chairman of Warner Bros. Pictures Group, called it “a fantastic start.”
“Given the unprecedented circumstances of this global release we know we’re running a marathon, not a sprint, and look forward to long playability for this film globally for many weeks to come,” said Emmerich in a statement.
Warner Bros. gamble
While many of Hollywood’s largest productions have postponed their release and others have rerouted to streaming platforms, Warner Bros. gambled that “Tenet” could roll out abroad first, and then gradually debut in the US.
So far, it seems to be working. The overseas opening for “Tenet” was greeted by some as proof that blockbuster moviegoing can be resurrected even while the virus continues to circulate and large indoor gatherings are considered higher risk. As part of their safety protocols, movie theatres are mandating mask-wearing, cleaning cinemas in between showings, and operating at 50% capacity to distance moviegoers usually crowded shoulder to shoulder.
“The strong international debut of Christopher Nolan’s ‘Tenet’ is an emphatic statement that audiences around the world are ready to return to theatres where local guidelines allow,” said Rich Gelfond, chief executive of IMAX. The large-format exhibitor accounted for $5 million of the film’s box office.
In nine markets, including Ukraine and the Netherlands, “Tenet” did better than any previous movie directed by Nolan, including “The Dark Knight.” It was the largest opening yet in Saudi Arabia, which in 2018 ended its ban on cinemas. In the United Kingdom, “Tenet” accounted for 74 percent of ticket sales, Warner Bros. said.
“Tenet” will open this week in the US and China, the two largest markets. In the US, the conditions remain far from ideal. About 60 percent of theatres are currently open. The largest chains, including AMC and Regal, reopened the week prior. Any new release is trying to coax moviegoers back to the movies, any movie, in the midst of the Covid-19 pandemic.
In the US over the weekend, the Walt Disney Co.’ “The New Mutants,” a critically panned horror riff for Marvel made by 20th Century Fox before the Disney acquisition, led the domestic box office with an estimated $7 million in 2,412 locations.
Cathleen Taff, Disney’s president of global distribution, called it a success for times requiring recalibrated expectations.
“We continue to have faith and believe in the theatrical experience. We think consumers are ready to start having that experience with others sooner rather than later,” Taff said. “We’re encouraged. We’re very encouraged.”
Disney will next week release the live-action remake of “Mulan” for a $30 digital rental through its streaming service, Disney+. Originally slated for theatrical release in March, it’s the most expensive movie yet to go straight to the home.
Taff, though, said she’s optimistic about upcoming releases coming to theatres.
“Of course it’s not going to be a linear process. We’ve been upended for sure, along with many other industries. But we have to continue to pivot and adjust our approach in real-time,” said Taff. “Right now we’re feeling pretty good.”
Theatres remain closed in several states, including New York and California. On Friday, California Governor Gavin Newsom released guidelines that could allow the county-by-country reopening of cinemas.
United Artists Releasing’ “Bill & Ted Face the Music” debuted Friday on video-on-demand. The company didn’t provide rental grosses Sunday, but it also put “Bill and Ted” in 1,007 North American theatres where it made just shy of $1.1 million.
The theatrical release may be harder for adult-skewing specialty fare whose audiences are historically harder to get out of the house. Fox Searchlight’s “The Personal History David Copperfield,” a Charles Dickens adaptation by Armando Iannucci (“Veep”), opened with $520,000 from 1,360 theatres.
“The results, while modest, signal a return to the cinema for moviegoers who are yearning for the majesty of the big screen,” said Frank Rodriguez, distribution head for Searchlight.