Renowned Pakistani artist Shahid Rassam and more than 200 of his associates have been working on preparing the world’s largest copy of the Quran, Islam’s holy book, in the Karachi Arts Council since 2017.
The unique project is scheduled to be completed in 2026.
The rare artwork, measuring 8.5 feet (2.59 meters) long and 6.5 feet wide, is poised to break the record currently held by a copy of the Quran sized at 6.5 feet by 4.5 feet, which was prepared in Afghanistan in 2017 and is now kept at the Kul Sharif Mosque in the Russian city of Kazan.
According to Rassam, it marks the first time in the over 1,400-year history of Islam that the Quran is being cast in aluminum. Calligraphers have previously produced classic art in creating copies of the holy book using conventional materials such as wood, paper, animal skin and cloth.
“This is my lifetime project,” Rassam told Anadolu Agency (AA) as his associates continued concentrating on their work.
Over the past several months, Rassam, 49, who took two years to prepare the first two pages of the holy Quran, has been spending an average of 10 hours a day on the project.
“It’s more than a challenging task and equally sensitive (in terms of the sanctity of the Quran). One minor mistake can ruin the whole effort,” he noted.
Inspired by Turkish, Arabic and Iranian art
Rassam will display the first sample of his artwork, Surah Ar-Rahman – the 55th Chapter of the Quran – at the ongoing Dubai expo 2020 in November.
The Karachi-based artist said his work is inspired by Turkish, Arabic and Iranian art designs.
“We have created our own design (to cast the Quran) after studying Turkish, Arabic and Iranian designs. It’s not a mixture of these designs, but it is inspiration,” he said.
In the first step, he said, the letters are cast in clay, which is later plastered and finally converted into fiber before being cast in aluminum.
Over 200 kilograms (440 pounds) of gold, 2,000 kilograms of aluminum and 600 canvas rolls will be used to cast 77,430 words on 550 pages. To illuminate and enrich the design, precious stones such as rubies, sapphires and emeralds will also be used, he said.
The Italian glazing technique and acrylic colors have been used to develop the design, as they can last for hundreds of years.
Not all about religion
Rassam said he had prepared a sample of the artwork at the request of a friend in 2016, which propelled him to produce it on a wider scale.
“I kicked off this project solely on my own. I am still disbursing my own resources on it. There has been no (financial) support by the government or any institution,” he said when asked how he would bear such large expenses.
“Some foreign governments, however, have approached me in this regard,” he said, without mentioning the countries’ names.
These types of rare and huge projects, he observed, always require support from the state.
Rassam said his work is not all about religion but about art and culture as well.
“This (work) is not meant for Muslims only but to attract people from different religions through art. It is aimed at highlighting Islamic art and culture,” he said.
He said a separate museum would be required to display this huge artwork.
Proud to be part of rare artwork
Jawad Ahmad Jan, one of Rassam’s associates, said he is proud of being associated with such rare artwork.
“You get this opportunity once in a lifetime, and I am proud to be part of this project,” he said.
“Just imagine, at the very outset of your career, you get such a gigantic opportunity,” Jan added.
Sharing a similar view, Mahnoor Khan, another young assistant, who has been part of this project for the past two years, said: “I feel myself lucky to be part of this history-making project. It’s a lifetime thing for me.”