Arts and Literature

Silence speaks volumes as Algerian artists explore cultural heritage

Written by The Frontier Post

Monitoring Desk

PARIS: “Somewhere between silence and words” revives memories of a journey to Algeria made by Florian Gaite, philosopher, art critic and curator of the exhibition taking place until Nov. 28, 2021 at the Maison des Arts Malakoff center in Paris.

The exhibition “seeks to make heard the voices and the silence that characterize Algeria so well,” Gaite told Arab News in France

“It’s a listening ear beyond the Mediterranean. Algeria is a country that is as familiar as it is unknown, and whose complexity — social, political and historical — is equivalent to the cultural diversity expressed there.”

Gaite said that he set up the project before the Hirak movement and widespread protests in Algeria in early 2019.

“That upset my vision of the Algerian scene, a country that I did not know, and about which I had prejudices and preconceived ideas from an exclusively Western reading,” he added.

“When I arrived in Algeria, I realized that the sensitive and sensory experience felt there was made of two extremes. On the one hand, it is an extremely talkative country, where multiple languages are spoken, a sort of linguistic tinkering. The same language is not spoken from one city to the next or between generations.

“The older generation speaks Amazigh, their children speak French and Arabic, and the younger generation is more oriented toward Arabic and English. This stratification of languages ​​seemed crazy to me because in Algeria, there is also a lot of silence. It is a country where people whisper, where there is modesty,” he said.

Gaite said that Algeria is a country “marked by many traumas and by a form of detention” because the same wounds are not discussed between generations.

“There are two pitfalls that I wanted to avoid: The first is placing myself as a Western critic coming to evoke the Algerian artistic scene, which I am not specialized in. The second consisted in choosing artists as simple mediators to bear witness to the Algerian artistic scene. In fact, they know their country better than I do and their testimonies are more accurate and more authentic.”

According to the exhibition’s organizer, colonization, Islamism and state authoritarianism are some of the multiple traumas of contemporary Algerian history.

“These are a series of causes, prohibitions, denials, repressions that hinder speech and often prevent it from being transcribed in the form of a story. The presence of the testimonial and documentary function in contemporary Algerian art thus answers this need to bear witness to the past as well as to the present — colonization, the war of liberation, socialism, black decade, the Bouteflika era, Hirak — and to propose rewritings, to exhume what has been erased or falsified, to give a voice to all that is forgotten,” he said.

“Somewhere between silence and words” brings together artists who were born, live or work in Algeria, including Louisa Babari, Adel Bentounsi, Walid Bouchouchi, Fatima Chafaa, Dalila Dalleas Bouzar, Mounir Gouri, Fatima Idiri, Sabrina Idiri Chemloul, Amina Menia and Sadek Rahim.

These Algerian or Franco-Algerian artists were selected by Gaite, who said that some are still poorly represented in French galleries.

“This exhibition, which includes more women than men, displays works made with various materials such as paper, charcoal or even fabric.”

While in Oran, birthplace of Gaite’s grandmother, the curator met Sabrina Idiri Chemloul, a Franco-Algerian director, who introduced him to her mother, Fatima Idiri.

Born in the Aures, in northeastern Algeria, Idiri lived in Nancy in a family that was part of the resistance networks of the National Liberation Front.

Returning to the country after its independence, she is a self-taught artist — from fashion design to painting on silk, mosaic to Berber embroidery — who is strongly influenced by impressionism and orientalism.

“Hirak’s fervor was a game-changer,” she said.

By choosing figurative drawing as an artistic identity, she strives to preserve the memory of one of the traditions of her native region, the Aures, said Gaite.

“By creating her masterpieces out of coffee grounds and acrylic, the artist pays tribute to free and liberated poets and singers who are the Azriat.”

Idiri studied colonial photography and sought to deconstruct the images in order to rediscover the spontaneity of avant-garde artists who were frowned upon, and even marginalized, during the colonial period.

The exhibition also includes works by Mounir Gouri, winner of the Friends of the IMA (Arab World Institute) Prize.

Based in France, Gouri produces moving paintings of “harraga,” or illegal immigrants, transforming their journey into a performance.

Gaite highlights a painting of a starry sky, painted with charcoal. “The message that the artist wishes to convey is that when the harraga are in the middle of the Mediterranean Sea in the dark night, the stars are their only source of light.”

Works by visual artist Amina Menia, who lives and works in Algeria, are also on display. Her art takes the form of an urban archaeology, focusing on places and architectural language.

Menia’s works have been shown in numerous museums, art centers and galleries, including the Pompidou Center in Paris, the New Museum of Contemporary Art in New York, the Museum of African Design in Johannesburg, the Museum of Contemporary Art in Marseille and the Royal Hibernian Academy in Dublin.

Works by Sadek Rahim, a multidisciplinary artist who has lived in Syria and Jordan, and studied at the Beirut School of Fine Arts, are also being shown.

“Somewhere between silence and words” runs until Nov. 28, 2021 at the Maison des arts of Malakoff, in the Hauts-de-Seine, in Paris.

Courtesy: (Arabnews)

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