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New block at Pashto Academy to promote local language

F.P. Report

PESHAWAR: Special Assistant to the Chief Minister Khyber Pakhtunkhwa on Information and Higher Education, Kamran Bangash on Wednesday inaugurated the new block at Pashto Academy of University of Peshawar.

The CM’s aide also attended the book launching ceremony as chief guest wherein the Vice Chancellor of University of Peshawar, Professor Dr Muhammad Abid Khan’s book titled ‘The Computational Morphology and Science of Pashto Language was launched.

Kamran Bangash while addressing the book launching ceremony said the Higher Education Department KP has released a fund of Rs 40 million to further improve the performance of Pashto Academy and enhance its capacity.

The extension block of Pashto Academy, he said was constructed with a cost of Rs 21.6m while Rs 1.84m were provided for academic activities.

Talking about credibility of the new block, he said the project will further improve the performance of the academy besides providing help in promotion of local languages. The KP government was working on modernization of universities so that our institutions could help the government in future planning affairs.

Lauding the Pashto Academy role, the CM’s aide said it was endeavoring for promotion and making research in local language and we were devising a strategy while keeping in view its historical importance.

He urged upon the teachers to play their crucial role in imparting best possible knowledge to the students. He appreciated the education-friendly role of the vice chancellor of UoP and said he also acknowledged the role of the provincial government for promotion of Pashto language and released a fund of Rs 40m for improving performance of Pashto Academy.

VC UoP, Dr Abid Khan said his book was the product of his thirty years educational experience that can be utilized by the students of Higher Education through in-depth study.

Addressing the book launching ceremony Director Pashto Academy, Professor Dr Nasrullah Jan said the extension project of Pashto Academy reflects the seriousness of KP government for promotion and welfare of Pashto language and its students.

The said project not only provided a new block for the academy but also provided funds for other educational activities. He said the Pashto Academy owns a name in serving the language and provision of needed information about Pashto. He said the book of Dr Abid will prove much helpful for the students of Pashto language who wanted to carry out research in the language.

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OUP launches book on Punjab and its role in war of independence

F.P. Report

KARACHI: Oxford University Press (OUP) Pakistan hosted its virtual book launch on the titled, Punjab and the War of Independence (1857-58), written by Turab ul Hassan Sargana through its social media channels and was graced by the authors, academics and foreign dignitaries in attendance.

The book delves a historiographical account of the vital role played by the Punjabis in the War of Independence (1857-1858). While most historians have chosen to primarily highlight the Punjabi aristocracy’s role in negotiating with the British, they neglected the role Punjabi masses had played in the war. On the other hand, Sargana attempts to mark and emphasize the significant contribution put forth by the ordinary Punjabi population who strove to free themselves against the British rule, consequently helping us in understanding the role of the landed elite in contemporary politics of Pakistan today.

Turab ul Hassan Sargana is an Assistant Professor, Bahauddin Zakkariya University, Multan, Department of History. Born in Toba Tek Singh in Punjab, he graduated from Government College Lahore with his MSC and then Quaid-i-Azam University for his PhD in History. Punjab Public Service Commission selected him to serve as Assistant Professor in different colleges of Punjab from 1993 to 2014. Sargana has presented several remarkable research papers in national and international conferences.

The intriguing discussion around the book launch featured Dushka H. Saiyid, Professor and Former Chairperson, Department of History, Quaid-i-Azam University; Muhammad Iqbal Chawla, Former Dean, Faculty of Arts and Humanities, Professor and Former Chairman, Department of History, the University of Punjab; Gurdas Dhadwal, Lawyer and Researcher on Punjabi Culture and History, Birmingham, UK; and the author, Turab ul Hassan Sargana himself. The discussion was moderated by Mahboob Hussain, Chairman and Professor, Department of History and Pakistan Studies, the University of Punjab.

The welcome address, presented by Arshad Saeed Husain, Managing Director of OUP Pakistan, highlighted Sargana’s unique approach of rewriting history at the Time of the Great Uprising, carefully emphasizing the role of the rich Punjabi elites and the common people together; clearing the air about previous historical misconceptions surrounding Punjab’s collaboration with the British which is generally translated as supporting the East India Company during the War of Independence. The book contends to explain the considerable patriotic wave that swept the region, both in favor of the British and the rebels. Arshad Husain, conclusively adds, that the book is an account of the Freedom Fighters of Punjab, who often remain ignored and unappreciated in the history.

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OUP to launches a new book

F.P. Report

KARACHI: Oxford University Press (OUP) is organizing the online launch of its publication, Punjab and the War of Independence (1857-58) by Turab ul Hassan Sargana.

This book delves into the historiographical silence over the role of Punjab during the War of Independence of 1857-1858, highlighting the non-aristocratic Punjabi heroes and freedom-fighters who have been ignored by much of history.

Dushka H. Saiyid, Muhammad Iqbal Chawla, Gurdas Dhadwal, Turab ul Hassan Sargana, and Arshad Saeed Husain will be the speakers and Mahboob Hussain will be the moderator at the Live Event being held on Oxford University Press (OUP) Pakistan’s social media channels on 13 October 2020, from 4 to 5 p.m.

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Select barbershops offer trimming of literature in Peshawar

Monitoring Desk

PESHAWAR: Classic poetry volumes and international fiction bestsellers are now waiting for those who visit Peshawar barbershops, as a small local initiative to promote reading has been welcomed by residents of the city that has only two public libraries. 

Over 900 books have been donated since September to barbers in the capital of Khyber Pakhtukhwa province and nearby Charsadda town by Omar Azam Khan, a student in the final year of secondary school, who was inspired by a similar initiative in India which recently made the rounds in social media.

“This is a pleasant change and I am a government employee and rarely read big stuff, but after reading parts of “Forty Rules of Love,” later I bought the book and read it,” Riaz Ghafur, a government employee who regularly comes to Ghusia Hair Dresser — one of the Peshawar barbers that have so far benefitted from the book initiative — told Arab News on Saturday.

“This idea is brilliant and the rest of the community members should also bring books to (put them on) barbershop shelves,” he said.

The whole province has just 18 public libraries. According to Zahir Ullah Khan, director of Khyber Pakhtunkhwa Archives and Libraries, in Peshawar only two are still operating — Main Archives and Library and Rehman Baba Complex Library.

“We have put forward the request to the government to establish at least one library in each district and later will drag the idea to the teshil/town level and at last we want to build a library in every union council,” he said.

But before the government project materializes, the civic initiative has already reached four barbershops in Peshawar and five in Charsadda.

The books are of all kinds, ranging from selected works of renowned poet Aziz Hamid Madani, through Islamic literature, biographies, popular Urdu novels such as “Raja Gidh,” to international bestsellers by authors like Paulo Coelho, Dan Brown and Dale Carnegie.

The young man behind the project says the books come from different parts of Pakistan. He said he asked his social media followers to donate literature instead of money if they wanted to support the initiative, in which also received help from his factory-owner father and social activist mother. 

“A moderate amount has been given to me by my father and also mother as both of them know my objectives of spreading the book reading habit,” he said, adding that book reading is an activity that has been affected by the use cellphones for leisure.

As waiting for one’s turn at the barber’s usually takes quite some time, he believes that is when customers can utilize it to read: “In Khyber Pakhtunkhwa haircutting is time consuming and that’s why we decided to keep books in this very important place for customers.” 

Ghusia Hair Dresser owner Usman Ali says he is already observing a positive change.

“Before these books, people would discuss none of their business-related things and in the time of elections it is always very hard for us to stop people on politics,” he told Arab News. “But now, after these books, about 70 percent of clients remain busy reading poetry and fiction.”

Courtesy: (Arabnews)

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Author: David Michaelis

Prizewinning bestselling author David Michaelis presents a breakthrough portrait of Eleanor Roosevelt, America’s longest-serving First Lady, an avatar of democracy whose ever-expanding agency as diplomat, activist, and humanitarian made her one of the world’s most widely admired and influential women.

“Drawing on new research, Michaelis’s riveting portrait is not just a comprehensive biography of a major American figure, but the story of an American ideal: How our freedom is always a choice. Eleanor rediscovers a model of what is noble and evergreen in the American character, a model we need today more than ever,” said a review in

The review added: “The author spends a great deal of time focusing on Eleanor’s early years and details how her experiences influence her throughout her life. The story can be tedious at times but will leave you with a better understanding and appreciation for Eleanor Roosevelt.”

Eleanor’s public story began in 1921, when Franklin D. Roosevelt came down with polio. The disease robbed him of his ability to walk, and Eleanor became his legs.

Courtesy: (Arabnews)

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Spanish artist preserving the ancient art form of Islamic Guadameci

Monitoring Desk

DUBAI: After a period of quiet months and lockdowns imposed by the coronavirus disease (COVID-19) pandemic, Dubai’s cultural scene is slowly picking up again. This week welcomes the sixth edition of World Art Dubai, branded as “the region’s largest affordable retail art fair,” which will be showcasing over 3,000 artworks by contemporary artists from the UAE and abroad.

Among the participating exhibitors this year is Spanish artist Jose Carlos Villarejo García, who previously took part in Sharjah’s Islamic Art Festival. As he explained to Arab News in an interview, showing his artistry to Dubai audiences is particularly special to him. “It is my first time in Dubai and my first time as part of World Art Dubai,” he said. “For me, it is a great opportunity to share my art with Dubai. I feel very happy and very close to Arab culture.”

Having familiarized himself with the culture of the UAE, García shared that his recent works were inspired by certain visual elements, such as colors and clothing materials, seen around Dubai. “I was inspired by the everyday things and houses of Dubai,” he said.

Born in the Andalusian city of Córdoba in 1980, García specializes in an intricate and ancient form of art known as Islamic Guadameci (gilt leatherwork), which features vibrant juxtapositions of colors and golden and silver leaves, rendering geometrical, repeating patterns on tanned sheepskin or ram leather. According to García, this technique was further enhanced under Arab rule in Spain by the Umayyad dynasty during the 10th century, “turning craftsmanship to art.”

“In my city of Córdoba,” he explained, “many of the customs from our Arab past are lived and maintained: the food, the decoration, the crafts, the friendliness and hospitality. Many cultural aspects have been transmitted from generation to generation. My art is a technique that I learned from my ancestors. I grew up in a family of artists. My guadamecíes take us to the most luxurious and splendorous period of the Arabs in Córdoba. And I project in my designs the same philosophy that the Arabs did in that time.”

García’s deep interest in Guadameci art began at an early age, when he visited his uncle, artist Ramón García Romero, every day and watched him paint guadamecíes in his studio. García is also the founder of the Museum of the Omeyan Guadameci in Córdoba, where he is reviving this spiritual craftsmanship that was once favored by rulers.

“Islamic Guadameci art is the most spiritual in all its forms,” he explained. “The idea of Paradise is always present in it. This form of art brings us to the Eternal Garden with its vegetal and geometric motifs. It is the best way to have a vision of Paradise. The Caliph of Córdoba made gifts of guadamecíes to share the beauty of that vision.”

Given the attention to detail required to execute guadameciés, creating them is a lengthy process; it can take up to two years to complete one artwork. It requires a commitment to organization, customization of tools, dedication and confidence to pursue this kind of art. As García says: “The most important thing is to know your form of art.”

Courtesy: (Arabnews)

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Pashto poets captivate Islamians

Shah Faisal

PESHAWAR: Senior poets from parts of Khyber Pakhtunkhwa graced the main grassy cricket ground of the historic Islamia College Peshawar and mesmerized the young Islamians with their beautiful poetry. 

About noted Pashto poets including student-bards gathered here on Tuesday to welcome the newly admitted students to various departments of the college with their electrifying couplets.

Conducted under the auspices of the Khyber Students’ Society (KSS), large number of students, teachers and avid buffs of poetry showed up at the annual event.

Prof Dr Naushad Khan, Vice Chancellor Islamia College University, Gen (Rtd) Muzamil, chairman Wapda, and Prof Dr Abaseen Yousafzai were among the participants.

Noted poet and columnist, Rokhan Yousafzai chaired the event while Hidayatullah Gul graced the occasion as the chief of the mushaira.  He in brief remarks pointed out that poetry was one effective way to educate and entertain the youngsters.

Prof Abaseen Yousafzai in opening remarks said that grand Pashto mushaira was arranged with an objective to entertain and welcome the new student entrants and also to familiarize them with the academic environment of the historic institution.

“Islamia College Peshawar well in accordance with its past traditions will continue to organize such events to motivate our students and also to keep them away from getting involved in unhealthy activities on the campus,” he added.

The duo of Afsar Afghan and Rashid Khan Rashid, social media sensations recited their poems and received a round of applause from the audience while Shahid Ali Shahid, a visually impaired Pashto poet registered an electrifying impact on the participants because he as usual rendered his ghazal in his beautiful voice.

Shaukat Swati, a poet from Swat also recited his poem titled ‘Swat Da Amn Kor’ (Swat home to peace) which was reflective of his lofty thoughts.

Prof Dr Izharullah, Khalid Khalil, Zar Muhammad Sangar and Zaryab Yousafzai were among the guest-poets who impressed the audience the most.

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Rock’N’Roll Fantasy Camp Announces David Fishof’s Masterclass


Andrew Schwartz: You’re listening to The Reopening. The podcast that asks, “How will America work through the COVID-19 pandemic? How will we innovate, and how will it change our global economy?” Each week we invite top business leaders to share their insights on the road to economic revival here at home, and around the world.

Scott Miller: Today our guest is famed music producer and sports agent David Fishof. In 1997, David launched the Rock and Roll Fantasy Camp, a place where people can experience the life of a rock star with rock stars. When Covid-19 put a damper on large gatherings, David reimagined the camp as Master Class, which now delivers the rock experience through streaming. David talks with us about technology, social connection, and the creative power of music.

Andrew Schwartz: I’m Andrew Schwartz.

Scott Miller: And I’m Scott Miller.

Andrew Schwartz: And this is The Reopening.

Andrew Schwartz: David Fishof, it is so great to have you here today. You’re truly a renaissance man as a sports agent of course, NFL stars Phil Simms, Mark Bavaro, Vince Ferragamo, Jack Reynolds, as well as baseball’s Lou Piniella, Dave Madigan, and you know one of my heroes, one of the greatest all-time relievers, Randy Meyers of the Baltimore Orioles and other teams. And then it comes to your music career. I mean, I could go on and on. One of my amazing things I think you’re done is you put together Ringo and Ringo’s All Stars, which included of course Levon Helm, Dr. John, we could go on. You’ve been involved in the entertainment business for a really long time. Some of your films include Dirty Dancing the Concert Tour, American Bandstand Tour. You know, we could do all this for days. But really, we wanted to ask you now, you are the founder of Rock and Roll Fantasy Camp. And that’s something that people do normally live in the flesh with their rock and roll heroes. Then the pandemic comes. So what do you do to keep the rock and roll fantasy alive? Scott and I want to know. So that’s why we brought you on.

David Fishof: Well, thank you. So glad I’m here! And thank you for that amazing introduction, I appreciate that. And you know, basically, I did all those things ADD. So, I get bored with one thing, I gotta go onto the next thing and I got to be creative, you know. So that’s why I’m loving these master classes because every day, I’m waking up and saying “Hey, how about get this guy for a master class. How about that person.” And today I woke up and I said, “Tom McClean let me hear that story about American Pie.” So, what I did was I’m doing the camps – I’m ready to do two camps. I had the Scorpion set up in Vegas. I had Cheap Trick and doing a Beatles Camp in New York, and I had been looking in the last 24 months, how do I get my business online? Because if I’m going to become a big business, I have to find a way to get online. So, I looked at lessons online and looked at so many different ways to do a camp online. And then it just hit me one day, let me – I offer this masterclass at each one of my rock camps. And rock camp is – it’s a four-day experience that people come. I put them in a band. They get to be mentored by a rock star counselor, who’s with them for four days. Puts the band together. And they get to jam with legends like Joe Perry or Roger Daltrey or Cheap Trick. And then they play the final night in a legendary venue, like the Whiskey or BB Kings. And then they also get to record it at the famous recording studios with big time producers. I put them through a four -ay boot camp. But one of the highlights of camps is in the evening, I do these master classes where you get to sit around and talk to one of the rock stars and get to shoot the crap for about an hour, hour and a half, and hear what they have to say. You can bring your songs in, you can learn different licks, you can learn slides, and just get the knowledge out of these artists. And they’re really been amazing. I sit through them. I said wow, this – they’re just great what you’re learning from all these people. So I said, you know, I can do this on Zoom. So I reached out to a bunch of artists and I said, hey, how about we do these Zoom classes, Master class. Charge $100, let them come on the class and they can talk to you, you can talk back to them. And they started one, started to go to two, and three, and four, and it started catching on. And everybody just loved them. And then now they’re calling in from Jakarta, they’re calling in from Japan. They’re calling in from all over the United States and Europe and even the artists. I mean, I did an artist from Japan. I did Ian Paice from Deep Purple. He called in from London. Tonight, I have Tony from the Outfield, he’s calling in from London. You know, so it’s been a really amazing that these artists and these record producers and people like Shep Gordon, who is a music manager. And he sold out three classes. People really want information today. And they don’t have to go far, they can just get on Zoom. So, I transitioned to that in June and we’ve done over 100 classes. And it’s really been catching on. So now starting today I offer a $25 ticket so you can just watch. And we can do up to 10,000 people. So yes, there are 25 seats where you get to interact with the artist, and then there’s unlimited seats for $25 just to watch. The interaction has been incredible to see, so like Richie Faulkner from Judas Priest have 25 people in front of them. He’s looking at his screen and they all brought their guitars. So people bring their guitars.

Scott Miller: Of course, yeah.

David Fishof: So Richie Faulkner says to them, hey this little lick on the song. Then he says to this guy, now it’s your turn. So each one we unmute them, they get their opportunity to speak to the artist. He says let me see you play it. No, you’re not playing it right do it this way. The knowledge, the passion that’s coming out of these artists is – you’re never going to get this. You’re not going to get it at a meet and greet, where you’re going to sit around, get a quick picture and then leave. Walk away with a photo. You’re getting so much knowledge from these artists and you know, we advertise 60 minutes. I don’t think one class has been less than two hours. Alice Cooper said I got nowhere to go. Let’s go. Let me talk. What can I offer to you?

Scott Miller: Well, there’s some pieces of genius here. Look, first, the technology has arrived at the right moment for you, where you can stream high quality and you can do this and create that interaction. Couldn’t have done it three years ago, maybe not one year ago.

David Fishof: The word Zoom is now becoming the English language.

Scott Miller: It’s like Kleenex, or Xerox.

David Fishof: A lot of people still don’t know what zooming is in America, believe it or not. I have people, my campers over 55, and they’re like how do I – how do I download? And I’m like you don’t have to do anything. Just click the link I send you and the guy’s going to pop up. [laughs] So, technology.

Scott Miller: The second thing you did is you took all the costs out of this. I mean, Rock and Roll Fantasy camp is a neat project, but it is a high cost operation. You got hotels, and then you got to pay people, and then people’s time and energy. And you can run out the margin, real quickly.

David Fishof: Well I like to make the joke, but at every camp I usually open up my opening speeches that every Jackie Mason’s line, “every Jew’s counting how much money I’m making!” Trust me. This is the hardest business to do. Because you’re starting a rehearsal, you know, it’s like a band starts a rehearsal. But they can advertise the cost over a hundred shows. I’m over in four days. So I got to pick up all the cost, the gear costs, the crew costs, the food costs, the artists cost of transportation, so it’s really not – it’s not a huge business.

Scott Miller: No. It’s like being in a restaurant for a week.

David Fishof: Exactly, exactly. You hit it. So these classes. You’re right. The costs have come down. On the other hand, the artists are making more money because I’m able to do a bigger split with them. And I’m able to create an affiliate program for people to promote them. But more important, I think we’re able to convey what Rock and Roll Fantasy Camp is to the world. That it’s really not – it’s really integrating yourself with these artists and learning the knowledge that they have and sharing it. And what I’m excited most about is I have a film coming out in February that’s taken over four years to be produced. And Doug Blush, he won a few Oscars editing 20 feet from Stardom and other films, he brings out what the camp is and what you realize in the film is that while we do change people’s lives who come to the camp, we also changed your artists’ lives. And it’s Roger Daltrey saying, I was one of them. I just got lucky. It’s Sammy Hagar saying in the film, he says, you know, I didn’t realize how spoiled I am. I didn’t get to see people. Nancy Wilson says, we start doing the bit – we start being in the music business. It’s about the passion and writing, and then all of a sudden becomes about lawsuits and lawyers and agents, and all the business stuff. This is one thing about the camp, is it’s pure music. So I try to keep it pure music.

Andrew Schwartz: There’s so many people that want to live out their rock and roll fantasy. And they were doing that with your artists in person, but it sounds to me like taking advantage of the technology now, everybody has this hunger for knowledge. And so many of us can’t leave our homes, or leave our homes for too long, and this is a new form of learning it sounds like, with music.

David Fishof: And people taking lessons, you can learn one-on-one. But I think what’s really been interesting for me is to see that these artists are at home, there’s nowhere to go, and how much they share. Now, I know they have schools like Berklee School of Music, and so many schools that parents get to send their kids, and they get mentored by people who haven’t made it. At these classes you’re hearing from people who have made it. And you’re hearing from Alice Cooper telling you directly it’s about the song! And you’re hearing from every one of these people on how they made it, what was the key to making them. I mean, Shep Gordon was brilliant. He was like, you got to be above the noise. You got to be above the noise. How do you get above the noise? How do you get your music – you know, some producers have come on my clink, and said hey, I listened to everything. Eddie Kramer send me a FedEx of your music. And a young lady came on and he said, send me your music. So to hear Jack Douglas the other day, told a story. He said, I’m finding songs for new artists. And Jack Douglas, he produced “Imagine” with John Lennon, he did the Aerosmith “Toys in the Attic.” So funny, I got an email from Steven Tyler’s manager. Steven missed a class. Can you send them Jack’s class? And sure, be glad to. So I turn to them all, cause I cut through all the BS. Do you take music? And these songwriters are on, how do they get their song to you? So Jack said, I’m producing this young lady. I said, “Well how did you find her?” He said, “I was sitting in a restaurant, she was studying, and she said to me (I was in Florida) – she said, I’m a songwriter and singer.” And he said, “Hey, here’s my card. Send me some stuff.” And she runs home, and she tells her father that she met this person and looks him up. He’s legit and it’s Jack Douglas, he lives in Long Island. She lives in national Florida and he says, I’m producing a record and we’re doing it. She’s in the studio. And that’s also amazing to hear producers like Eddie Kramer talk about how he’s recording bands all around the world and my clink. You know, today, the technology, you can record a band in four different parts of the world.

Andrew Schwartz: You talked about 25 seats that are interactive for these classes. And the artists are really getting to interact with 25 people? And one of the things that we talk about, and you know at CSIS we’re in the events business too. Normally we host over 500 live events a year. And these events are attended in person by anywhere from 50 to 500 people in person. We can’t do that anymore so everything we’re doing now is via Zoom and it’s from home. So our dynamic has changed a little bit. One of the things we worry about a lot is that we’re not interacting with our audience the way we used to. Tell me more about the interaction that the artists are having with the 25 people who are in the class who have registered for that interactivity.

David Fishof: Well, I think the great thing is that the artist is seeing face to face these people that they never would see. You know, they’re doing a meet and greet before the show. Their focus is already on the show and starting time. When are you gonna get me out of this room and I got a quick picture. Now they’re actually sitting back and they’re hearing from the people saying, hey, you know, I met you, or this and this, or what were you feeling like when you did that concert? And you know, I was at that show, and it’s bringing back all these memories that these people have been holding in.

Scott Miller: You’re more than anything else you’re letting the artist make music, which is what they live for, that’s how they got into the business in the first place and then they got famous. But all musicians love making music, and you’ve been able to get them there.

Andrew Schwartz: But I guess my question is, do the 25 people all feel like being able to participate enough? Is one person dominating the conversation with the artist, and the other 24 feel like they’re a potted plant? How does that work?

David Fishof: What we do is everybody gets one question, and we unmute them. And we unmute one at a time, you raise your hand, and then we call upon you. But always gets to be, it’s more than one question. But I have two questions to ask you, and the artist doesn’t say no. And they’re not going anywhere. So they get that.

Scott Miller: It’s moderated.

David Fishof: Well yeah, Britt Lightning, she’s amazing, she’s our moderator. She’s the lead guitar player in a band called Vixen. She’s also a Northeastern graduate, went to Berkelee. She’s very intelligent, she knows music. And so she basically hosted the program and we keep it at a flow. We got many people come back and repeat. But it’s been interesting. And then we add more classes. But yes, the interaction, if the artist wants to interact, they can. You know, some people don’t have that personality. Sebastian Bach, you know, some lady asked him, “Can we sing a duet together?” And he said of course. You’re not going to get that ever with that. Some of the things I’ve seen in these classes is just incredible. But really, the main thing has been the passion that the artist is giving across the people, the hope. Listen, it’s going to end, it’s going to be over, it’s going to work. And it’s all going to be good and you know, while we’re all going through this pandemic, there’s going to be hope coming afterwards. The other great thing that’s been happening at the classes is many artists have been giving their money to charity. So Shep Gordon, he donated his – he donates his money to the Maui Food Bank. We give money to Teenage Cancer America, Roger Daltrey’s charity. You know, Alice Cooper, he did it. He gave his money to – he’s in a great after school program called Solid Rock where any kid in Phoenix, Arizona can go after school, no matter how much money he has, he can go and he can just participate, learn music, do homework there. And he always does a fundraiser every year and he couldn’t do it this year. So he gave his money to charity. We did a thing in honor of Neil Peart. Buddy Rich’s daughter, she gave the money to UCLA brain cancer, because it’s about Neil Peart and Buddy Rich. So that’s been the fun part too. You feel like you’re doing good. You’re giving off information. They’re not available. We don’t record them. I mean we do for archival purposes but it’s a live event. Each one’s an event.

Andrew Schwartz: So they’re not available on demand.

David Fishof: No. I’m not in that demand business yet. I want to create an event each and every time. But I also – the great thing is I have been able to get artists that I haven’t been able to get to Rock in. For example, when I was putting Ringo’s tour together, I remember the first drummer he was – I was putting the band together – he says oh, give me Steve Gadd. So I’ve always wanted to get Steve Gadd, and Steve was never available. He’s all touring with Paul Simon, he’s all touring with James Taylor, the guy works nonstop. Well, now he’s not working. So I reached out to him and I got a message from Steve Gadd and I think he enjoyed it. So we’re doing it again. So I think that’s been fun, to meet artists that I haven’t been able to get to come to camp, and now are – they’ve just been busy – and now they’re coming into Rock and Roll Fantasy Camp nightly.

Scott Miller: You’re a unique guest for us because most of the guest we’ve talked to are improvising, some are muddling through. You’re actually creating something that’s new, different, and better as a result of the constraints placed on you. That’s really unique.

Andrew Schwartz: And most don’t know Ringo Starr.

David Fishof: [laughs] No listen. I changed my life when I got remarried and I have two beautiful little children and I decided I’m not going on the road. And I decided to dedicate my life to changing people’s lives in a program called the Hoffman Institute up north. Life changing for me. Katy Perry has gone public saying she’s done it. But it’s been an incredible program and it just changed my life to giving back. You know, my father was a rabbi, my brother’s a rabbi, my son-in-law’s a rabbi. All I watched is these people giving back all the time. Here I go, rock and roll, thank god it’s been a great business. But I want to find an opportunity to give back, and Rock and Roll Fantasy Camp has probably been the greatest thing I can give people, the opportunity to do this. And what I see most about the camp is yes, people get to meet their celebrities. But that’s not what it is for me. For me it’s come to me for four days, it’s a process and I will change your life. I’ll bring back that happiness you had as a child. I’ll bring the creativity out of you – back in your life so you can write a song, you can make an album, you can join a band. You know, the exciting thing is you know we talk about sports before, they have baseball fantasy camps. At 35 your career is over. Half the players can’t hit the ball out the fence at 35. But you can always be a musician. Ringo’s going to be 80, he’s going to tour. McCartney’s still touring. Mick is going to be there. You can write a song at any age. You can perform at a Bar Mitzvah, you can perform at a bar, you can write a song. You can always be in the music entertainment business. So you can still have that fantasy in your mind. And that’s what I love most, people in my camp have come out with CDs, they form bands together. One of the funny stories I love to tell is a guy was in my camp and he was taking guitar lessons at home. And his family says, we’re going to send our dad to Rock and Roll Fantasy Camp. It’s a great gift, they send them. And he comes to camp, never was in a band before, takes guitar lessons on Saturday mornings. Meets a bunch of people at Camp from New York, and they decide they’re going to form a band together when they get back out of camp. They leave camp, he shows up to SIR in New York, he walks in there and says, “Hi, my name is so-and-so, I want to rent the rehearsal spot for my band’s rehearsal. We want to rehearse one night a week.” The guy looks at him, says, “Hey, have you ever been in a band before?” And that guy says, “Yeah.” He pulls out his phone, says, “Hey, that’s me and Roger Daltrey on stage last week at the House of Blues in LA.” And he’s like, “oh okay, okay.” [laughs] That guy has a band today!

Andrew Schwartz: My late friend Tony Snow.

David Fishof: Oh! You were friends with Tony?

Andrew Schwartz: Yes, I was Tony’s producer.

David Fishof: Well wait, you know the story with Tony? Tony Snow goes on the radio, goes on television one day.

Andrew Schwartz: Yep.

David Fishof: And he talks about Rock and Roll Fantasy camp. So I called Tony up and – everyone told me about it. So I called him up. And oh, I loved that man. And I said to him – we go to talk. And he called me back, he was such a gentleman. We talked about Rock Camp, and he came by the way.

Andrew Schwartz: I know! He loved Ian Anderson. Ian Anderson was his hero. Cause Tony played the flute as a kid.

David Fishof: I’ll never forget, I said to him, I said, So I’m going to give you your fantasy, how about you give me mine. He says, “What can I do for you David?” And I said, “well you go to Israel, and I want to go with you.” Because – he said, “David, I’m going to take you to Israel with me, and I’m going to go cause I go meet Arafat, to Bibi Netanyahu, I’ll take you. You come with me on a trip, but we’ll go visit PLL, we’re gonna go visit everybody.” I thought that would be so cool, if I could just follow him around. I had just gotten married, that was 15 years ago and he was doing the trip. But it was on Yom Kippur, he was leaving on like the Jewish holiday.

Andrew Schwartz: Oh. Oh.

David Fishof: I never went, I always regretted not going with him. But boy, I remember sending him a guitar. He was such a – he did the camp in New York! He came.

Andrew Schwartz: Oh, you know, Tony was the greatest.

David Fishof: Even when he was working for the President of the United States, him and I were in touch!

Andrew Schwartz: I know, you know Tony wanted to form a band and he wanted to call it “Nine Inch Nose Hairs.” [laughs] And, one of the things, Tony just loved music so much.

David Fishof: He was such a mensch.

Andrew Schwartz: Oh, such a mensch. He was such a mensch. And he used to talk about your camp. And it really was such an inspiration to him. Such an inspiration to him! And I think that was the first time I ever heard of Rock and Roll Fantasy Camp, was through Tony, and he knew I was a big music fan and rock fan. And so he got me into it. And I’ve been following you ever since then and just sort of, seeing the clips and seeing what’s going on with you and seeing, you know how happy you make people. Because it’s not – you know, it’s interesting. It’s like you’re making people’s dreams come true in meeting some of the rock and roll heroes. But I think it’s a lot more than that. I think it’s something about there’s a spirit there in the music and there’s a kinship, because the stuff that I’ve seen and I read, there’s a bonding that people get when they bond over this music, and this culture.

David Fishof: So this is what’s amazing. The best friends. These rock stars tell me their best friends are the campers. They’ve met these people and they – listen, rockers always went out the back door. The concert ended with Ringo, and we were in the van and we were gone. By the time the concert ended – cause we’ve got to get out of the arena to get to the airport, to fly to the next city. So every rock star’s always leaving. And any rock star leaves you a backstage pass, and after the show, most of the time they’re leaving it to you cause you’re gone. Just a little secret, unless they tell you they’re going to stay. So what happens is you never get to meet rock stars. And unlike country music, so people said, “Oh, why don’t you ever do a country fantasy camp?” I said well the problem with the country artists are, I remember going to take my daughter to see Oprah one day because she wanted to meet Oprah, and Keith Urban was on the show. And she said to Keith, “What was your first concert you went to?” And he said, “I went to see Aerosmith.” And then the next question, “Did you ever meet your fans?” And he says, “I meet my fans every night. Five o’clock they come out to my bus, we hug them, we love them.” You know, and that’s what they do, they don’t – then they got fan fest in Nashville. He said, “If I could have met Steven Tyler that would have been my dream, but rockers are always leaving, you never get to meet them.” So putting them two together, they never got to meet how great these people are and then the rockers, they got to meet. So they make best friends. Every rock star has told me that the front rows of all their shows, now these campers are on the front rows because once they’ve played a jam with them, they can’t sit 14 rows back, they’ve got to be in the front rows.

Scott Miller: And the artist knows them as individuals, they’re people to them, they’re not a crowd.

David Fishof: Right, and they’ve stayed in touch. And I’ll tell you, one of my fabulous stories, I mean, so many great stories, but one of the ones I really enjoy telling is I had a rocker. He was Mark Foreigner from Grand Funk and he was at my early camps, and he was going through some IRS issues from years ago, Grand Funk. Anyways a camper said to me, I love that Mark Foreigner. I said, you love him? I said you’re a lawyer, go help him out. They’re best friends today. He pulled him out, he helped them out with the IRS. Anyways, the bottom line is that these campers are really fabulous people and they make great relationships. Everyone’s told me that their best friends are from Rock and Roll Fantasy Camp. So, we’ve created a great thing. What’s the problem with that? People are like David, why aren’t you making zillions of dollars in this business? Why has it been so hard? So, here’s the truth. The problem has been that people are scared. You know, it’s not even the money, it’s cheaper – it’s the same price to go on a cruise than to jam with these people. I’ve had Jeff Beck, and you know, I figured, okay, I’ll get 40 guitar players, put them in 12, 14, 15 bands. People called up the week before and said, Oh I’m sorry I can’t make it David. My husband can’t make it. His mother-in-law has cancer, his brother has cancer, his guitar has cancer! I hate to say it – I know they’re lying. They’re scared. There’s that fear factor.

Andrew Schwartz: Well sure, cause like you’re going to step on stage and going to strap on a fender with Jeff Beck. That’s like saying you’re going to take batting practice with Babe Ruth.

David Fishof: So I get it. I totally understand. I never forget a dear friend of mine invited me to go to Michael Jordan basketball camp, and he had a fantasy camp for a while. I said I’m not going, I’m not going for a bunch of guys – they all think they can beat Michael Jordan. And I’m not even going to try to make an attempt. So I don’t want to make a fool out of myself. You know that was the biggest mistake I made. They came back, they had a great time. It’s not about that. It’s a really – the rockers are so generous in their time, and they want to show you tips. And they put their pants on the same way that everybody else does. When they come to camp, everyone – the masks go away, they leave their egos at the door. And I tell that to everybody. I tell it to all the rockers. I said, “listen, this is about these people. We’re going to give them their dreams, their fantasies, and leave your egos at the door.” And I gotta tell you, they do, they come in. And it reminds them of what it was like when they first started.

Andrew Schwartz: You know, it’s so true. I mean, the late, great Dr. John Mac Rebbenack from New Orleans, so he was the greatest ever. And I got to know him a little bit. Everybody who listens to this show knows I went to Tulane and the Neville Brothers are like my second family and all that. But Dr. John was really one of my heroes and I got to meet him. And a lot of people were always really scared of Mac because he was this intimidating looking guy, but you would meet him. And man, he was the most incredible soul and so thoughtful, and so nice, and so kind. And one of the things that people don’t realize about musicians of this caliber is they’ve been all over the world, many, many times over, and they know things and they’ve seen things that most of us have never seen and never experienced so they have this knowledge. And so, I would get on the phone with Mac, Dr. John, and I could never get off the phone with them because we would be talking about politics, we’d be talking about global affairs, we’d be talking about competition with China, we’d be talking about – and then he would say something like, you know, Andrew a good day is when I get up in the morning and I could find my shoes and I can put them on. He was just like everybody else.

David Fishof: So that’s what made me create the camp. I was on the Ringo tour, and I was putting it together and everyone kept telling me it’s not gonna work, it’s not gonna work. You can’t put all these people in from all different bands at one thing. Yeah it works, you can do it one night, and do a benefit, but to tour all these egos, and all these artists, have one plane and you know go out and Joe Walsh and everybody, how are you going to do this David, how are you going to do this? So I said to myself, I’m going to take a chance. I mortgaged my house. I literally mortgaged my house. I got excited. I got Ringo. I said, you know, I’m a promoter. I’m going to take a shot. I got a Beatle. And I’m at the fourth show at the Garden State Arts Center. And people can YouTube this, under David Fishof Ringo Starr, they can look up our names. And there’s a scene in there about, what happened was, Ringo had mentioned to me I want to play at Radio City. He wanted to do it for the band. Ringo always did everything for the band. So I’m sitting with the president of Radio City and all of a sudden Nils Lofgren walks by my table. And he says David I’m out of there, I’m not doing this anymore. I said, well what are you talking about. He says, these guys are fighting over songs, it’s not going to work. Clarence Clemmons walks by and he says I’m out of here too Fishof. I said what’s going on? And he says Joe Walsh and Levon Helm are having a fight. It’s never going to work. So, I said well let me try to find Ringo. I go to try to fight Ringo to break up this fight and I can’t find him. And all of a sudden, the security guard says you better go in there. And I walk into a room and I see Levon Helm with a knife and blood on his hand. Joe Walsh has a glass bottle and blood all over him. And they’re fighting. And they’re calling each other four letter words, and you ruin my song, and then all of a sudden, I walk in there and I’m scared. And I walk in, are you guys a bunch of babies? What are you doing? And they both turned around, they pushed me. They threw blood at me, and then they both turned around and stuck their tongue out. They had set me up for the greatest joke, you know.

Scott Miller: What a prank.

David Fishof: I mean Joe Walsh, he’s good with pranks. So is Levon Helm. So they set me up on this prank, Dr. John’s in the room. That’s why I created the Rock and Roll Fantasy Camp. I got to travel with Dr. John, Clarence Clemmons, Levon Helm. I got to see how amazing these people are and what they have to offer. And everybody called, every day. President of the CAA music department, all these people in the industry – “what’s this guy like? What’s that guy like? How are they all getting along? I can’t believe Joe Walsh – how are they not fighting? What’s going on?” And I said I don’t know what you know, but I never met Dr. John before, I never met Levon Helm before, I never met any of these people really, and watching all these people get along, and to be friends. So I built a great friendship with Mac, he was amazing. What a guy he was. And, well first of all what a gentleman. He came to Rock and Roll Fantasy Camp. We invited him early on. He came. Levon Helm. Wouldn’t show up to the Rock and Roll Hall of Fame, showed up to Rock and Roll Fantasy Camp. These guys – you said a great line earlier: these guys traveled the world, they know. They know so much, they’ve met, they know the line between bullshit and not bullshit. They are so sharp. Remember what The Turtles once said, we’re going to write a book. Start the deposition without us. I mean, these people know the artists. Ringo – he’s been through the Beatles, the Stones, you know these people that they’re smarter than anybody because they actually go through all this all the time.

Andrew Schwartz: And how good does Ringo look by the way?

David Fishof: Eighty years old. Amazing.

Andrew Schwartz: Amazing, yeah.

David Fishof: Well, he takes great care of himself you know. What we’re learning is the smart ones are going to take care of themselves. They’re going to be with us for many years. And the ones who abused themselves, you know. But I’ll never forget Dr. Johnny’s Rock – he’s pacing back and forth at backstage of the Greek Theater. And I went over to him, “Mac are you okay? Big show tonight at the Greek Theater. Sold out.” And he said, “Oh. I got three wives out there trying to beat me up for money after the show.” [laughs] Yeah, I loved him.

Andrew Schwartz: So that’s the Greek Theater in Berkeley, you’re talking about?

David Fishof: No, no. This is the big theater in LA.

Andrew Schwartz: In LA. Okay, okay. Oh man.

David Fishof: They all had fun. They all had fun goofing on me. I was ten years younger than them, twelve years. You know. I was really the naïve one. I was naïve. I came from the world with the Monkeys, with the Turtles, and the Village People. So, I had to change my whole life overnight and I’m so glad I did.

Andrew Schwartz: Hey, I’ve got those Ringo Starr albums sitting right here. I mean, those are, they’re amazing. And you know in what they did for Levon too.

David Fishof: Hold on, let me tell you how many lives Ringo, Ringo saved for these musicians. Number one, they all had to take health – you had to get insured to go on a show like this. Dave Edmunds we say, his life was saved. I can’t tell you what an influence Ringo had on all these musicians and becoming sober. Yeah, he’s amazing but Levon and I got very close afterwards. And there’s a great book that just came out, a lady wrote a book on Levon just now. And he was interesting you know. And I mean, I’m glad the book really tells the story. She really gets down and dirty and who Levon Helm was in a great way. And Robbie Robertson made that a great film the other day. It wasn’t the truth. It’s probably his guilt, to get rid of his guilt. But I’m not here to judge whether he’s right or wrong. Levon did not like him. And all those guys in the band were penniless. And I think they felt unfair that, they felt taken advantage of.

Andrew Schwartz: I mean I interviewed Levon several times. I’ve talked to Garth, Garth Hudson several times. I had the great honor of talking to the great Ronnie Hawkins several times. And, Levon was a broken man over it. Yeah.

David Fishof: Broken man, yeah. I got him to do the book. I managed him for a little while. I learned so much from Levon Helm. When I wrote my last book Rock Your Business, I dedicated to Levon Helm and Davy Jones.

Andrew Schwartz: Amazing.

David Fishof: But they both have really taught me a lot. The new book came out, this lady wrote a book on Levon, just came out. It’s really good. It’s about the later years, and the barn, and tells the story. And he was such a – I enjoyed it. I learned a lot from him. I didn’t agree with him many times. I didn’t agree. But, you know, Levon wouldn’t do the song “The Night They Drove Old Dixie Down” because he didn’t want – he thought the royalties were going to rob him. But the fans wanted it. So, he was definitely conflicted. Definitely conflicted. But he was such a – if he loved you, he was a dear friend. I remember when he got cancer, he couldn’t sing, couldn’t talk. And I called him up one day I said I’m taking you to a Yankee game, I’m coming up to Woodstock. He loved the Yankees. And we went to a game. I’d go up to visit him and sit on his fields and he’d say to me, I’m going to make a venue here. This is his dream. His dream is that barn. And he does those performances. And I’ll tell you my favorite story with Levon. After that tour ended with Ringo, after the final show, we’re at the bar together, cause they do that goof on me. And we’re at the Bar at the Aladdin Hotel, and Levon and Joe turn to me and say, you know, wow, we should build a rock and roll hotel here in Vegas. This is pre-Hard Rock. These guys called it. Geniuses. It’s amazing. If you think of all these rock stars, what you can learn from them. And Lita Ford, we were doing this team-building – I do these team-building exercises once in a while for companies where we go in, we write songs. And she turns to me and we’re doing one for McKinsey and Company, and she says to me, David can you imagine these people thought we were bums forty years ago? Now they’re hiring us to teach a team building. But if you look at Kiss, if you look at Aerosmith, if you look at the Who. You look at the Rolling Stones. You can learn so much about business, and about team building and what it is to be in a band. I mean, to be in a band is ultimate team-building. And Warren Haynes says it’s to listen. You’ve got to learn to listen. And so there’s really a lot you can learn from our industry that people don’t realize that you know, they hear the music but they don’t get to know these people personally and to realize how smart they are and the knowledge that they have. I’m loving the master classes nightly.

Andrew Schwartz: One of my favorite classes I ever took in college, which I assistant taught for, was a class about how rock and roll shaped society and our most incredible guest speaker was Aerosmith manager Steve Lieber. And Steve’s my friend Jill’s dad. And so, Steve came in and spoke to the class. And I’ll never forget that speech about how he managed Aerosmith, and it stuck with me. This is now, 30 years later, and I think about it in my business life and what I do.

David Fishof: Steve did the business before anybody. He outsmarted everybody. Yeah no, I like Steve. What’s Jill doing now?

Andrew Schwartz: She’s a mom. She’s got family, she’s doing great.

David Fishof: Where’s she living in?

Andrew Schwartz: New York.

David Fishof: Yeah Steve’s in Florida. He reaches out to me all the time.

Andrew Schwartz: Great people, great people.

Scott Miller: David you’re giving people such a window into the music world that you can’t get otherwise. And every night you do this, and I can’t believe the master class agenda that you got, it’s truly impressive.

David Fishof: I feel privileged. And you know, I was a sports fan. I’m really a people person. And what do I mean by that? I can’t name you the fourth album and the sixth lick on that album, but getting to know these people and seeing who they are. I mean, Joe Perry. Another guy who just gives and give and gives and has a beautiful marriage. I mean, you can really learn. Steve the other day – I’m going to leave you with this great – here’s a guy who gets on from London, does the master class. And he says, listen just because you’re a rock star doesn’t mean you don’t have to be a husband, a father, you have all those other duties. Yeah, you still have to be that great person, you can’t just – and I just thought that was brilliant. Or Alice Cooper saying, hey, you go on the stage and you’re one person. When you’re off that stage, you gotta be a normal human being. And he’s got his wife, he’s got his grandkids, he’s got his kids. And to me, that’s what I admire. That’s who I admire, someone who can take, can kind of stand at the family life, but then when they get on stage, they get on stage and they have all that talent.

Andrew Schwartz: It’s amazing. David. This has been a master class talking to you.

Scott Miller: Yes indeed. Yes indeed.

Andrew Schwartz: Scott and I are your biggest converts and we can’t wait to sign up for a master class so we will be in the audience very soon.

David Fishof: Thank you. Please go to, and you guys can push those classes. I really appreciate it.

Andrew Schwartz: David we can’t thank you enough. We will get the word out.

Scott Miller: Keep doing what you’re doing, it’s amazing work.


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New Ultra-High-Resolution Images Reveal a Hidden Drawing beneath the Famous ‘Mona Lisa’ Painting


A scientist has spent 14 years analyzing photographs of one of the world’s most famous paintings.

A new high-tech study of Leonardo da Vinci’s Mona Lisa suggests that the Renaissance master created the painting using a previously unknown preparatory sketch.

The faint traces of a charcoal underdrawing, visible thanks to multispectral analysis, are evidence of the spolvero technique, in which the artist pricks tiny holes along the outlines of the drawing and uses charcoal dust to transfer the cartoon to canvas.

The discovery, published by scientist Pascal Cotte in the Journal of Cultural Heritage, was more than 15 years in the making. In 2004, the Louvre allowed Cotte to take photographic scans of the Mona Lisa, and he’s spent the intervening decade and a half tirelessly poring over the more than 1,650 resulting images.

“The Louvre invited me because I am the inventor of a new very high-resolution, highly sensitive multispectral camera,” Cotte told Artnet News in an email.

With his Lumiere Technology camera, Cotte’s pioneering “layer amplification method” is able to detect light reflected on 13 wavelengths, building on the work of infrared photography, which has previously been instrumental in making visible to the naked eye details hidden beneath the surface of a painting.

Cotte was able to spot the underlying charcoal lines in the lighter areas of the painting using a combination of near-infrared photography and infrared reflectography.

“The optical system allows us to see very fine details and the high sensitivity allows a very high amplification of low signal,” Cotte added. “The spolvero on the forehead and on the hand betrays a complete underdrawing.”

This is the first time a spolvero has been spotted in the famous painting, which raises the fascinating possibility that somewhere out there, a paper drawing of the Mona Lisa by Leonardo’s hand may still exist—and that it would feature a slightly different pose, as the underdrawing shows the artist made adjustments to the final composition.

The paper notes that the cartoon may have been used to create other copies of the painting, like the version owned by the Prado in Madrid.

Cotte’s research revealed other heretofore unseen details, like what appears to be a hairpin just above the Mona Lisa’s head—something that would not have been in style at Florence at the time of the painting’s creation. Cotte told the Express that the hairpin suggests that the painting wasn’t a portrait, but an allegorical work, or a depiction of an “unreal woman, like a goddess.”


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Conditional Citizens

Author Laila Lalami structures Conditional Citizens as a series of personal vignettes and historical dives that are more broad than deep.

Lalami was born in Morocco and came to the US for graduate school. She stayed because she fell in love with an American, whom she married.

“Conditional citizens, in Lalami’s account, are not allowed to dissent or question the choices of their government; if they do, they are viewed with suspicion, their allegiance to their new country questioned. Conditional citizens also have less freedom of movement,” said Sonia Nazario in a review for The New York Times.

Lalami “is less insightful when she widens her lens to argue that all minorities in the United States — including people born here but of a race, faith or gender not shared by the dominant majority — are discriminated against by their government and others, a heavily worn argument,” Nazario added.

“While her book convincingly lays out the inequalities among citizens, she’s woefully short on remedies and specific ideas for achieving change,” the review said.

Courtesy: (Arabnews)